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Seasonal Specials

  
  Have the CrossOver demonstarted to you and you will be eligble to win a Nintendo Wii.

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Free Overnight Freight on All Ensemble Designs Avenue Products

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 0% INTEREST FOR 36 MONTHS OR $2,000 CASH BACK
Applies to any Rimage Producer™ III 8100 system
BONUS OFFER: 10% savings on any 8100 3-Year Rimage Maintenance Agreement 

Contact us for futher information on these specials....

News

With the level of functional sophistication offered by CrossOver, there is no need to compromise on production functionality and quality. A space constrained working environment or a limited operational budget should not lead you to lower your production standards or expectations. Similarly, a need for rugged mobility or operational longevity should not require a massive capital investment. CrossOver production switchers are a budget sensitive solution that offers broadcast-quality live production in a durable, space conscious platform.

 

 

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Web Education

Web Education

Web Education

You are invited to participate in Sound and Video Contractor webinar presentation on Blu-ray:  The impact on residential and commercial systems.' Please find the details for this event below:

Session date: Tuesday December 16th 2008

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Application Papers

Application Notes

  • Ross Video OverDrive: Live Production Control System – White Paper
    Production control rooms have already benefited in similar ways with the advent of video servers for quick and accurate clip playback, robotic camera systems to set up repeatable camera shots and production switchers with enhanced external device control.
  • Pro-Bel Large scale, integrated multi-image/routing system.
    Miranda’s Kaleido-X multi-viewer and Pro-Bel’s Sirius routers have been integrated to provide a large scale multi-image/routing system with up to 512 HD/SD video inputs and up to 72 multi-image display outputs.
  • Linear Acoustic AERO Series Transmission Audio/Loudness Managers
    The third generation Linear Acoustic AERO series,1 comprised of the AERO.air (5.1) and the AERO.air (DTV) are designed to solve loudness issues, provide upmixing to keep programming as 5.1 channels, manage metadata to guarantee compliance with FCC rules, and can include Dolby Digital (AC-3) encoders to simplify installs and lower costs.
  • SeaChange® Broadcast MediaLibrary™ Enables File-Based Workflow with Final Cut Pro
    However, the SeaChange Broadcast MediaLibrary (BMLex) is changing the dynamics of broadcast facilities editing with Final Cut Pro (FCP). The system’s Common Internet File System (CIFS) storage structure and flexible SeaChange® MediaClient™ codecs enable Final Cut Pro users to simply push their video content to the BMLex for playout.

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